Showing posts with label McEwan. Show all posts
Showing posts with label McEwan. Show all posts

Thursday, February 11, 2010

Neuro-lit

Jorge Luis Borges was a literary neuroscientist, and Gabriel Garcia Márquez described the symptoms of semantic dementia before they were recognized in neurology.

I posted a while ago on some 'philosophy of mind' connections in two of Ian McEwan's novels. ManWithoutQualities recommends two novels that concern recent cog-sci work on consciousness, and there was this post last fall on "the rise of the neuronovel."

There might be something faddish about more recent neuro-lit, but if it leads authors to engage with old philosophical concerns in their new, souped-up neuro form (such as determinism), that's all to the good.

Incidentally, Jonathan Bennett has posted his new translation of de la Mettrie's Man a Machine.

Update (Feb. 11, 2010): MTB reminds us of an earlier book on this theme, Jonah Lehrer's Proust Was a Neuroscientist, about which MTB has several posts.

This song by Raffaella Carrà bears little relation to the rest of this post, except that it exemplifies (for me at least) an interesting psychological phenomenon, which has been dubbed the 'earworm'.

Sunday, July 20, 2008

Philosophy of Mind in Ian McEwan's Saturday

I liked Ian McEwan's Saturday partly because of its focus on the mind-body relation. The main character, Dr. Perowne, is a materialist -- there's nothing more to a mind than a brain.

Perowne regards three persons through this reductionist lens:

1. Perowne's alcoholic father-in-law, a complicated poet whose foibles grow predictably from the effects of alcohol on the brain;

2. Perowne's mother, who suffers from dementia; the sections about her are the most profound in the book, focusing on the pathos and tragic affront when a good and caring person is deleted by brute, neural wiring malfunctions; and

3. Baxter, the intelligent thug; the issue here is the conflict between, on the one hand, our natural moral indignation at the heinous crimes of a free person and, on the other hand, the picture of the criminal as an unfree victim of his own gnarled neural wiring. (Shades here of philosopher Wifrid Sellars' contrast between the Manifest Image [our common, everyday sense of ourselves and others as free and responsible persons] and the Scientific Image [in which those persons dissolve into amoral atom-swarms].)

Here's an ambiguous quotation in connection with that last point:

“Who could ever reckon up the damage done to love and friendship and all hopes of happiness by a surfeit or depletion of this or that neurotransmitter? And who will ever find a morality, an ethics down among the enzymes and amino acids when the general taste is for looking in the other direction?”

I've earlier quoted a nice philosophy-of-mind passage from McEwan's Atonement. Here's a phil-of-mind quotation from Saturday, this time on philosopher Jerry Fodor's notion of 'Mentalese', an innate representational medium with syntactic structure in which the mind does its thinking or representing (I believe Fodor developed the idea under Chomsky's influence):

“This is the pre-verbal language that linguists call Mentalese. Hardly a language, more a matrix of shifting patterns, consolidating and compressing meaning in fractions of a second, and blending it inseparably with its distinctive emotional hue. … So that when a flash of red streaks in across his left peripheral vision … it already has the quality of an idea … unexpected and dangerous, but entirely his, and not of the world beyond himself.”

The main weakness of the novel is its plot, which seems implausible and jury-rigged in places, as if McEwan had notebooks full of good passages and riffs that he was itching to publish and just threw together any old narrative in which to embed them. The book is marred also by some smug political musings that are espoused by Dr. Perowne and that resemble some of McEwan's own political views. (I suspect that a lot of the recent, blogosphere animus against McEwan stems from disapproval of his politics. But who knows?)

Regardless, while it isn't as good as Atonement, there's some great writing in Saturday.

Here are some interesting reviews of Saturday, one of them by the late Richard Rorty.

Thursday, May 22, 2008

Quotation Collage -- Agency

Ian McEwan: "She bent her finger and then straightened it. The mystery was in the instant before it moved, the dividing moment between not moving and moving, when her intention took effect. It was like a wave breaking. If she could only find herself at the crest, she thought, she might find the secret of herself, that part of her that was really in charge. She brought her forefinger closer to her face and stared at it, urging it to move. It remained still because she was pretending... . And when she did crook it finally, the action seemed to start in the finger itself, not in some part of her mind." (Atonement, pp. 35-6)

Schopenhauer: "I say that between the act of will and the bodily action there is no causal connection whatever; on the contrary, the two are directly one and the same thing perceived in a double way, namely in self-consciousness or the inner sense as an act of will, and simultaneously in external brain-perception as bodily action." (The Fourfold Root, pp. 114-15)

Spinoza: "So also a mode of extension and the idea of that mode are one and the same thing, but expressed in two ways." (Ethics, Book II, proposition 7, scholium)

Ludwig Wittgenstein: "My expression came from my thinking of willing as a sort of producing -- not, however, as a case of causation, but -- I should like to say -- as a direct, non-causal producing. And the basis of this idea is our imagining that the causal nexus is the connexion of two machine parts by means of a mechanism, say a train of cog-wheels." (Zettel sect. 580; cf. 613 of the Investigations)