I hadn't realized that last November was the 200th anniversary of Heinrich von Kleist's death. Deutsche Welle posted a brief video about this anniversary (approx. 5 minutes long). Actually, that last link takes you to the Deutsche Welle site but I can't obtain a link that takes you directly to the Kleist material. There is a search window there, though, and entering 'Kleist' calls up the relevant items.
Tony Miksanek notes the concern in many of Kleist's works with the conflict between fate and freedom. Steven Howe has a look at Kleist's treatment of fate in a lesser known work, The Schroffenstein Family. As Miksanek points out, Kafka was influenced by Kleist's reflections on justice, esp. as presented in Martin Kohlhaas. Indeed, Michael Dirda says that Kleist's 'greatest disciple is undoubtedly Franz Kafka, whose fables of uncertain identity and bureaucratic horror take the Kleistian sensibility to its limits.' Liel Leibovitz adds that 'Kafka devoted one of the only two public talks he gave to reading segments of Kohlhaas, and he confessed that he could not think of the novella “without being moved to tears and enthusiasm”.' For Margaret Soltan, the brilliance of Kafka and Kleist 'is to retain narrators who dwell in the heavenly-harmonic even as the events they tell come from hell.' According to Gertrud Leutenegger, Kleist (like Kafka) combined a disposition to melancholy with a wonderfully odd sense of humour or what Geoffrey O'Brien calls a 'dark hilarity'. While reviewing Günter Blamberger's new German biography of Kleist, Iain Bamforth says that Kleist 'wrote with his back to the wall, a “crisis specialist” in Blamberger’s words.' Mr. Waggish looks at an essay by Kleist on speech and thought.
In addition to the above-linked English translation of Kohlhaas, here's Peter Wortsman's translation of 'The Earthquake in Chile', and here's 'The Beggarwoman of Locarno'. Idris Parry's translation of 'On the Marionette Theatre' is on-line. Finally, here's a short story by Kleist called 'Saint Cecilia; Or, The Power of Music'.
Here are some articles about other authors:
James Gardner writes about Georges Rodenbach's 'Symbolilst novel,' Bruges-La-Morte, as well as about Lucien Lévy-Dhurmer's portrait of Rodenbach.
Michael Dirda reviews Laird M. Easton's edition of Count Harry Kessler's diaries.
Sonya Chung looks back at Giuseppe Tomasi di Lampedusa's novel The Leopard.
Here's a quotation from an article about the amazing Stanford Encyclopedia of Philosophy: 'Over the last academic year, the encyclopedia’s entry on Friedrich Nietzsche was the most accessed—followed by “John Locke,” “Kant’s Moral Philosophy,” “Game Theory,” and “Existence.”'
Michael Hofmann has translated and edited a new collection of Joseph Roth's letters. Joseph Roth, a Life in Letters is being published this month. There's a panel discussion of the book tomorrow (Jan. 10) in NY. Hofmann's introduction is behind a pay-wall at the New York Review of Books. Here's a YouTube clip of Hofmann reading from his own poetry.
From Kleist to Feist:
Showing posts with label Lampedusa. Show all posts
Showing posts with label Lampedusa. Show all posts
Monday, January 9, 2012
Sunday, May 22, 2011
Reviews, anniversaries & re-issues
Antonina Pirozhkova, an engineer who designed several stations in the Moscow subway system, and who was Isaac Babel's common-law wife, and about whom I learned from Elif Batuman's funny book, The Possessed
A map of Turkey's reading culture. Among the findings: the most popular Turkish authors are Ömer Seyfettin, Ayşe Kulin and Orhan Pamuk, and people in the northern province of Tokat prefer detective novels. No word on William S. Burroughs' popularity -- one of his books is being investigated in Turkey for 'incompliance with moral norms' and 'hurting people’s moral feelings.'
The Hindu's review of Orhan Pamuk's Naive and Sentimental Novelist: the Charles Eliot Norton Lectures. Here's Alberto Manguel discussing the same book.
There's a Nabokov Museum in St. Petersburg
An article by Gerard Smyth in the Irish Times on the centenary of Czeslaw Milosz's birth
Chandrahas Choudhury on George Szirtes' translation of Sandor Marai's Portraits of a Marriage
Marjorie Perloff reviews a new book on Georg Trakl: 'Christian Hawkey’s brilliant Ventrakl, which puts Trakl’s tragic life squarely into the poetic equation, testifies to the enormous change that has come over lyric poetry in the twenty-first century.'
A clip from Barbara Gowdy's 1993 interview with Leonard Cohen:
Robert Boyers reviews Anthea Bell's translation of Stefan Zweig's Journey into the Past.
Jesse Freedman reviews Stefan and Lotte Zweig's South American Letters
Amelia Atlas on Joseph Roth's Radetzky March
Willard Spiegelman on The Leopard: 'If one mark of a great novelist is the ability to forgive everything by understanding everything, then [Giuseppe] Tomasi [di Lampedusa]'s only rivals are George Eliot, Tolstoy and Proust.'
A review of a collection of lectures by Natsume Soseki (published by Columbia Univ Press)
Finnegan's Wake on-line, with glosses for the puzzling words and phrases
Nicholas Allen reviews R. F. Foster's Words Alone re. Yeats' intellectual origins
A newly recovered story by Daphne du Maurier
Brendan Behan at the pub:
Jane Smiley on the re-issue of Nancy Mitford's novels
Paul Theroux on the 'the trouble with autobiography'
Melvyn Bragg and guests discuss Robert Burton's Anatomy of Melancholy
Here's an extensive site by the Australian Broadcast Corporation (with several audio clips) to mark the 400th anniversary of the King James Bible
Three talks by the Archbishop of Canterbury on Narnia
Labels:
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LeonardCohen,
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