Showing posts with label Fontane. Show all posts
Showing posts with label Fontane. Show all posts

Saturday, July 19, 2014

Link roundup mostly on literary Prussians & Berliners

Brecht portrait by Rudolf Schlichter (1926)
Michael Hofmann on Wolfgang Koeppen:
The one exception, the single oasis in thirty-five years of literary-commercial desert, the very last of the Sibylline books, is Jugend (Youth), which was first published in 1976 as number 500 in the iconic Bibliothek Suhrkamp series (there was really no limit to Unseld's generosity and thoughtfulness), when Koeppen turned seventy. "Dear Wolfgang," wrote the gallant [and long suffering Siegfried] Unseld as late as 1 July of that year, "I'm awaiting Youth every day, with the sort of intensity with which one only and always waits for youth." This time, for whatever reason, Koeppen didn't disappoint him. 
Adam Thirlwell on Michael Hofmann's translation of Gottfried Benn's poems:
Benn’s late style is one of literature’s great inventions, and the composition of this selection conditions its reader to concentrate on that phenomenon: from 1912 to 1947, a period of 35 years, Hofmann offers just twenty-four poems, while from 1949 to 1955, the last six years of Benn’s life, there are a lavish forty-eight.
Rebecca Schuman has three posts this week on Heinrich von Kleist. She focuses on his Kant crisis and the Marquise of O.

Steven Howe remarks on Kant in connection with Kleist's Schroffenstein Family:
Here one can detect the influence of Kleist’s encounter with Kantian philosophy, which appears to have shattered his faith in the possibilities of absolute truth and knowledge. The fallibility of perception emerges, as a consequence, as a dominant theme and subject of reflection in Kleist’s work, and remains so across his entire literary corpus. In Schroffenstein, this manifests itself through the frequent recurrence of error and confusion, bred by the characters’ inability to communicate and their attendant susceptibility to misreading reality.
Trevor Berrett on Theodor Fontane's Irretrievable.

Last year, H. B. Nisbet published a 736-page book on Lessing. Reviewed in the LRB by Jonathan Rée.

In BOMB, Richard Foreman reviews Philip Glahn's new book on Bertolt Brecht. Here's the publisher's site for the book. It's also reviewed by Gregory Sholette at Brooklyn Rail.


A bigger Brecht book, by Stephen Parker, is reviewed by Donald Sassoon, and by John Yargo, and by David Blackbourn, and by Alison Flood.

Ingrid Rowland reviews Emily J. Levine's Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School:
Focusing on Aby Warburg’s library and two of its most illustrious users, the philosopher Ernst Cassirer and the art historian Erwin Panofsky, [Levine] reveals the ways in which the distinctive qualities of a single place conditioned the development of ideas in a larger sense to create a “Hamburg School” of thought, a school intimately connected with Jewish experience in Imperial and Weimar Germany.


Wednesday, August 10, 2011

Links mostly about German novels

T. T. Heine's poster for a Munich cabaret (depicting Marya Delvard)

The Tablet launches a series of monthly podcasts called 'Long Story Short' with an interview of Vivian Gornick about Rosa Luxemburg

Tom Wolfe on Marshall McLuhan, and Eric Norden's 1969 interview of McLuhan for Playboy

From Robert Zaretsky's review of The Pursuit of Laziness: an Idle Interpretation of the Enlightenment: 'Diderot’s Rameau is a loafer for whom artistic creation means mimicry and regret. ... Other creations of Diderot... delight in doing nothing by the traditional standards of the West: the Tahitian natives in his Supplement to the Voyage of Bougainville for whom mocking those same western standards is about as busy as they get; or Jacques and his master in Jacques the Fatalist, content with interruptions and detours in their own lives that mock our traditional standards.'

Bomb Magazine's1988 interview of Gregor von Rezzori (via Three Percent), and Three Percent's review of Rezzori's Ermine of Czernopol

Two of Irmgard Keun's books have just been translated into English:
1. From Other Press: 'Before Sex and the City there was Bridget Jones. And before Bridget Jones was [Keun's] The Artificial Silk Girl.'

2. From Melville House: 'Now, at last, [Keun's] After Midnight is available in the United States, the first title in Melville House‘s Neversink Library.'
Jenny McPhee discusses both of these books by Keun, and Salonica Monica reviews Artificial Silk Girl. Here's more about Keun by Sarah Bakewell.


Daniel Mendelsohn analyzes the women in Theodor Fontane's novels, and Jane Librizzi reviews Fontane's newly re-issued Irretrievable.

Michael Wood reviews five of Heinrich Böll's books, which have been re-issued by Melville House.

Kenji Fujishima on a performance by the Cleveland Orchestra: 'Whereas Mahler often laid out his struggles right on the surface, to the point where some might find his music impossibly overwrought, Bruckner—in his symphonies, in particular—often finds more serene, if sometimes no less anguished, expressions of his musical quests for God.'

From Glenn Gould's 1979 documentary on Toronto: 'I don't much care for sunlight. Bright colours of any kind depress me.' The documentary is about 48 minutes long. In it, Gould appears to like Toronto mainly because it doesn't much intrude on his consciousness. And he sings Mahler to elephants at the zoo. In case the above link to the documentary doesn't work, here's the first of the six YouTube clips from it.

Here's a passage about a strange crackpot named Alfred Schuler, which I came across while reading about fin-de-siècle Munich: 'Nietzsche was even the intended recipient of Schuler's occult therapy. For two years Schuler made preparations to cure Nietzsche's madness through the freely interpreted rite of an ancient Corybantic dance. It was never implemented, partly because of the difficulty of enlisting suitable youths for the cultic dance.' (Quoted from p. 79 of The Nietzsche Legacy in Germany -- 1890 - 1990, by Steven E. Ascheim)

Sunday, January 24, 2010

Sebald, Shakespeare, Josipovici, Bentham's mummy and so on

Theda Bara

A neat article on Prague and Kafka

An interview with Susan Bernofsky on translating Robert Walser

A roundup of choice Walser links from the past few years

Another review of Sigizmund Krzhizhanovsky's Memories of the Future

A new translation of Theodor Fontane's poem, 'The Tragedy of Afghanistan' (1859)

A review of Hannay's translation of Kierkegaard's Concluding Unscientific Postscript

Gladstone: the grandest of old men

Via Maitresse, the new translation of de Beauvoir's Second Sex has errors, hopefully to be corrected in time for the US release of this work

Will Self's Sebald Lecture

'Weavers, scholars, and writers, Sebald claims, tend “to suffer from melancholy and all the evils associated with it, [and] it is understandable given the nature of their work, which forced them to sit bent over, day after day, straining to keep their eye on the complex patterns they created.”'

The Mookse & the Gripes on Sebald's Rings of Saturn

'Love Across the Borders' by Gabriel Josipovici

Notes on Josipovici's Everything Passes by Paul Griffiths, Mr. Waggish, Stephen Mitchelmore, Richard Crary, and Dan Visel.

Aussie radio is on to Albert Camus, the James Dean of philosophy

More antipodean radio -- this time on David Eagleman, neuroscientist & novelist

Bellow-ing away at depression

A brief review of Breon Mitchell's new translation of The Tin Drum

Herta Müller's folk (with a tantalizing remark in the 4th paragraph about the roots of the Dracula story)

A three-week workshop on writing theology with Marilynn Robinson in Princeton (ht F&T)

Issa rocks out with a jukebox full of lit rock (ht Books, Inq.)

Bentham's mummy, Ginsberg and Kafka in one post

'There are more things in heaven and earth than ...,' -- okay, now let's look at some philosophers on Shakespeare. Here's a review (via Books, Inq.) of Colin McGinn's book on the bard, and McGinn's review of a book on Iago, and Martha Nussbaum's review from last year of McGinn's book along with Nuttall's and Zamir's